Didjeridu
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This
brief glossary is intended to aid the reader to understand
the content of these pages and readily available texts on
similar topics. It is not exhaustive, nor is it intended
to be - it is merely an aid. Please
note that, unlike English and many other languages, Aboriginal
languages are owned by their speakers and as such, the Aboriginal
words that appear here should not be appropriated by readers
for their own or commercial use.
Suggested
comments and additions are welcome.
Aeroplane noises
- a descriptive term used by traditional people of the Top
End to describe the way in which non-traditional Aboriginal
people and non-Aboriginal people play the didjeridu.
A-type
accompaniment - a term coined by Australian ethnomusicologist
Alice Moyle to describe a didjeridu playing style from western,
southern and central Arnhem Land and into the Gulf country
and the Kimberley. No overtone is used.
Arnhem Land
- a region of the north of the Northern Territory originally
named by the Dutch crew of their vessel the 'Arnheim'
as a consequence of their visit to the region in 1623.
B-type
accompaniment - a term coined by Australian ethnomusicologist
Alice Moyle to describe a didjeridu playing style used in
eastern, and parts of central, Arnhem Land and Groote Eylandt
employing characteristic use of the overtone (and some other
unique techniques)
Balanda
- a light-skinned person, commonly applied to non-Aboriginal
people. This Yolngu word has its' origins in macassarese;
derived from "hollander", the Makassan word for the Dutch.
Bilma
- clapsticks. Bilma is a
specific yolngu word. Also a song category in which only sticks
are used to accompany vocals (no didjeridu is played).
Bukulup
- one type of purification ceremony of central and eastern
Arnhem Land (a Yolngu word).
Bunggul
(or Bungurl, Bunggal, or Bungle) - a Yolngu word that also
refers to music and dancing, particularly of the djatpangarri
style.
Clan
- A kinship defined (familial) and estate owning group. Such
groups speak and own their own langauge and also own knowledge,
objects, designs, paintings and songs associated with that
clan estate. Clan descent is claimed from a common ancestor
(in a similar fashion as the Scots). There are over 40 such
clans in eastern Arnhem Land.
The following table
lists some of the well known clans in eastern Arnhem Land
and the moiety to which they belong:
Dhuwa
clan samples |
Yirritja
clan samples |
Datiwuy
|
Dhalwangu
|
Djambarrpuyngu
|
Djinang
|
Djapu
|
Ganalbingu
|
Djarrwark
|
Gumatj
|
Galpu
|
Gupapuyngu
|
Liyagalawumirr
|
Madarrpa
|
Marrakulu
|
Manggalili
|
Marrangu
|
Munyuku
|
Ngaymil
|
Ritharrngu
|
Rirratjingu
|
Wan'gurri
|
Wagilak
|
Warramirri
|
|
Clan
songs
Clapsticks
(aka tapsticks, clicksticks) - percussive sticks constructed
of hardwood (usually ironwood) used to
accompany song in musical performance. They are usually personal
possessions and their design is determined by clan affiliation.
Now widely known outside of Arnhem Land by the Yolngu word,
bilma.
Cult
Songs
Dhuwa
- one of the the two moieties present in Eastern Arnhem Land
to which all life, objects and phenomena, belong. Sometimes
found spelt as Dua.
Didjeridu
- (previously spelt "didgeridoo") a contemporary hollow tube
constructed from a wide variety of materials and usually made
by someone outside of the Top End, most commonly a non-Aboriginal
and used as a musical instrument. Not an Aboriginal word.
Distal
- the end of a didjeridu furthest from the player; often called
the "bell" in contemporary didjeridu parlance, cf: proximal
Djarrak
- a generic Yolngu word for terns (seabirds superficially
similar to gulls).
Djatpangarri
- a traditional song style of the bunggul genre from far northeastern
Arnhemland first attributed to the Gumatj clansman Dhambidjawa.
These popular songs of the far northeast relate to many everyday
events (a Yolngu word).
Dreaming
- previously called "The Dreamtime" etc. - these terms inadequately
describe the way in which traditional Aboriginal people relate
to their ancestral past and present. It would take an entire
essay, rather than a single word, to convey something of the
essence of the complex concepts involved. A good
text to start to study this subject, and another.
Emeba -
Groote Eylandt clan songs, characteristically sung with "shaky
voice" (an Enindilyaugwa word).
Gadayka
- one of many species of gum trees; in this case the northern
Stringybark, Eucalyptus tetradonta, the live trunks
of which are widely used for yidaki
construction (a Yolngu word).
Garma -
a Yolngu word describing a genre of a series of public ceremonies
(includes eg: the public phases of purification, mortuary
or initiation ceremonies)
Gudjika
- a Yolngu word for a category of songs accompanied solely
by boomerangs (as clapsticks).
Ironwood
- a tropical hardwood timber, Erythrophleum chlorostachys,
highly resonant from which a variety of items are made, in
particular, clapsticks.
Kun-borrk
(often spelt Gunborg, esp. in older texts)
Madayin'
- a Yolngu word meaning sacred, secret (of words, songs, ceremonies,
objects or places). Often found spelt "maraian" (or similar
variations of).
Malgarri
- a style of public ceremony performed west of the Blyth River
in central Arnhem Land; the name for the didjeridu used in
same (a Yolngu word).
Makassan
(macassan) - People of the southwestern region of the island
of Sulawesi in Indonesia. Specifically from Macassar, also
known as Ujungpandang, whom travelled to Australia to trade
with Aboriginal people of the Top End for several centuries.
Manikay
- (a Yolngu word) - songs, in particular, public clan songs
accompanied by clapsticks and didjeridu. Often spelt "manigai"
in older texts.
Marradjirri
- a central and eastern Arnhem Land public exchange (&
diplomacy) ceremony (a Yolngu word).
Moiety
- an anthropology term that literally means 'half'. Moiety
describes the belief that all things in the cosmos belong
to each of two complimentary social and religious halves
(this is not anything like the notions of Yin and Yang or
similar dichotomies). All people, clans,
ancestral figures, songs (including rhythms and clapstick
beat patterns), designs, objects, phenomena, flora and fauna
belong to one of each of the two moieties. These are also
intermarrying units. In eastern Arnhem Land these moieties
are named Dhuwa and Yirritja - in other regions, as per the
table below.
Eastern
Arnhem Land
(Yolngu) |
Dhuwa
|
Yirritja
|
Western
+ Central Arnhem Land
(Bining)
|
Duwa
|
Yirridjdja
|
Central
Arnhem Land
(Anbarra)
|
Jowanga
|
Yirrichinga
|
SE
Arnhem Land
(Nunggubuyu)
|
Mandhayung
|
Mandirritja
|
Groote
Eylandt
(Wanindilyaugwa)
|
East
Wind Side (Mamarika)
|
West
Wind Side (Barra)
|
|
Mouth Sounds
- a term coined by ethnomusicologist Alice Moyle to describe
a vocal technique used by a songman to convey a desired
rhythm to the didjeriduist; also used by a didjeriduist to
remember particular rhythms or instruct student players in
learning rhythms. Mouth sounds are not played through the
instrument.
Ngaara -
a yolngu ceremony focussing upon clan identity and law (a
Yolngu word).
Overtone
(aka overblow, toot, hoot) - the trumpet-like note produced
by tighter lip tension and characteristic of B-type
accompaniments
Proximal
- the end of the didjeridu closest to the player, usually
called the "mouthpiece", cf: distal
Puller -
Aboriginal English (from the Top End) used in the past to
refer to a didjeridu player
Songline
- a term popularised by the writer Bruce Chatwin to describe
a set of songs that recount the actions of ancestral beings
as they journeyed across the landscape in the ancestral past.
Often referred to in the past by anthropologists as 'song
cycles' but now exploited and exaggerated by the New Age movement
(and even professional social ecology types) to create a fallacious
notion that these "dreaming tracks" are continuous lines crossing
the entire continent (possibly confused with past Aboriginal
trade routes). This somewhat disrespectful idea does not take
into account diversity amongst Aboriginal cultures within
Australia and their need to retain and assert individual identity.
Sticks -
see clapsticks
Top
End - usually refers to the top third of the Northern
Territory. Sometimes this term is used in reference to the
tropical regions of the Kimberley and Queensland (the Gulf
and Cape York).
Totem -
in Australia, (a somewhat inadequate term) used to refer to
the connection between people, ancestral beings and the landscape
(their clan estate) and includes the fauna and flora associated
with it (often called "totemic species").
UVT
(Unaccompanied Vocal Termination) - a final recitative (sung
or spoken) performed by the songman after the didjeridu and
sticks have finished playing in a bunggul
performance
Wangga
(often spelt Wongga, esp. in older texts)
Wan'tjurr
- one type of purification ceremony of central and eastern
Arnhem Land (a Yolngu word).
Yidaki
(also yirdaki) - a specific type of didjeridu traditionally
made by the Yolngu of eastern Arnhem Land. Much morphological
variation exists with regional styles of instruments. Such
instruments are known also by several other names such as
Djalupiny, Mandupul and Dhambilpil (all
Yolngu words).
Yirritja
- one of the the two moieties present in Eastern Arnhem Land
to which all life, objects and phenomena, belong.
Yolngu
- traditional Aboriginal people of eastern Anhemland. The
word means literally, 'people' and describes both the people
of a common cultural bloc and the languages spoken by them
(a Yolngu word).
Yuta
- a Yolngu word meaning "new".
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